Friday, February 10, 2012
Monday, February 6, 2012
Tuesday, January 31, 2012
all things secret.
Posted by bloodmilk. at 9:29 PM 1 comments
Labels: nicola samori
Saturday, January 28, 2012
Friday, January 27, 2012
and tomorrow blood will leave my body above the breast. . .
Posted by bloodmilk. at 12:56 AM 5 comments
Labels: joan of arc
Thursday, January 26, 2012
Wednesday, January 25, 2012
finch face.
a bit more around my studio.
Posted by bloodmilk. at 11:48 PM 0 comments
Labels: studio
Tuesday, January 24, 2012
death stare.
ok so this is a bit brighter and a bit more subtly offensive than other things i post here, but i still love these quirky & colorful works by sashiko yuen. they remind me ghost world & what i had imagined high school should have been like if i hadn't gone to a christian boarding school.
Posted by bloodmilk. at 2:43 PM 0 comments
Labels: sashiko yuen
Monday, January 23, 2012
what does your quiver hold ?


my mouth waters over these new pieces in progress by philly artist jeremy hush, which will be for his upcoming show at loved to death's articulated gallery in march. these little previews make me long for the summer days i spent in trees, knees dirty and hair tangled on the look out for the supernatural. . . . so in a way, they make me miss home & the forests near the sea. looking forward to seeing the full body of work before it leaves for SF.
Posted by bloodmilk. at 2:02 AM 1 comments
Labels: jeremy hush
Saturday, January 21, 2012
eyes of wonder.
Posted by bloodmilk. at 2:28 PM 1 comments
Labels: sarah louise davey
Friday, January 20, 2012
trances. serpents. 1940 forever.
Posted by bloodmilk. at 12:35 AM 2 comments
Labels: faith healers, life magazine 1940, snake handlers
Thursday, January 19, 2012
experiments in disappearance.

today is the 30th anniversary of the death of artist francesca woodman, who committed suicide the same year i was born, at age 22. i've felt a kinship with her haunting photographs since college when i discovered her on the cover of a book of equally haunting tales 'here in the world.' if you're lucky enough to live in sf or should you find yourself there soon, there is currently a large retrospective of her work at the sfmoma. thankfully it will be traveling to nyc next, where i can see her work in person, finally.
Posted by bloodmilk. at 1:35 AM 2 comments
Labels: francesca woodman
Wednesday, January 18, 2012
forever mine, forever yours.
a peek at some bits from around my home studio:

this piece was salvaged from an emotional wreck & means so much to me. i'm not sure where it originally came from or who penned it, which only adds to its peculiar history.

i write here. i also assemble and box jewels here. i see this wall hours a day and it contains some of my favorite artworks.

around the holidays a lot of jewels went out to new homes. . . . .

being raised near the sea in long island has always made me feel connected to large bodies of water. i feel that the edge of "any" ocean is the most magical place to be, in between worlds. this smaller shell was my mothers and then mine. i can't remember not having it. the large one i picked out of the sea the first weekend my love & i spent together. i can never remember being so lucky before or after with finding such a large shell.
more of these soon.
Posted by bloodmilk. at 2:18 AM 4 comments
Labels: studio.
Monday, January 16, 2012
blindness.
Bat
His awful skin
stretched out by some tradesman
is like my skin, here between my fingers,
a kind of webbing, a kind of frog.
Surely when first born my face was this tiny
and before I was born surely I could fly.
Not well, mind you, only a veil of skin
from my arms to my waist.
I flew at night, too. Not to be seen
for if I were I'd be taken down.
In August perhaps as the trees rose to the stars
I have flown from leaf to leaf in the thick dark.
If you had caught me with your flashlight
you would have seen a pink corpse with wings,
out, out, from her mother's belly, all furry
and hoarse skimming over the houses, the armies.
That's why the dogs of your house sniff me.
They know I'm something to be caught
somewhere in the cemetery hanging upside down
like a misshapen udder.
-Anne Sexton
Posted by bloodmilk. at 12:15 AM 1 comments
Labels: bats, esao andrews
Sunday, January 15, 2012
Friday, January 13, 2012
meet me in the meadow.
Posted by bloodmilk. at 11:05 PM 1 comments
Labels: moonrise kingdom
another life.
*no one (though i have the sinking feeling it will break my heart)
Posted by bloodmilk. at 2:42 AM 4 comments
Labels: night reading
Wednesday, January 11, 2012
readingthinkinglistening.





currently:
inspired by chelsea wolfe's songs & style. (above)
listening to the caretaker: 'an empty bliss beyond this world.' it reminds me of sleep no more.
lusting after the new digital polaroid. i witnessed it's amazing magic in person & it's terrific.
reading this. again. & waiting for this to be released next week.
headed into nyc to see this & this saturday.
you?
xo
Posted by bloodmilk. at 1:20 AM 3 comments
Labels: chelsea wolfe, the caretaker
Tuesday, January 10, 2012
ritual.
Posted by bloodmilk. at 12:53 PM 2 comments
Labels: charmaine olivia ritual
Saturday, January 7, 2012
lunacy
Posted by bloodmilk. at 3:22 PM 2 comments
Labels: chad merritt, phantasmaphile
Thursday, January 5, 2012
coven.
Posted by bloodmilk. at 9:54 PM 2 comments
Labels: ovate, sisters of the black moon
feel better.
i've been obsessed with looking at images of nurses from the 1930's ever since my last trip to 'sleep no more.' i had a private encounter with a very creepy, eye piercing nurse in the woods in her little tea hut. i keep meaning to write about it here, but two things hold me back. i don't want to tamper with anyone's future experience & secondly, i've decided that my newest collection of jewels will be based on my experiences there, macbeth and the 1930's. more on this very soon. in the meantime, i made an homage mix here.
Posted by bloodmilk. at 1:52 AM 2 comments
Labels: 1930 nurses, sleep no more






































